Tuesday, April 28, 2009

Poetry Bibliography




The following poetry books have been reviewed, and selections have been used throughout this blog. If you're looking for a great new poetry source - check here!

Alarcon, Francisco X. 1997. Laughing Tomatoes and Other Spring Poems = Jitomates Risuenos y otros poemas de primarvera. Ill. by Maya Christina Gonzalez. San Francisco: Children’s Book Press

Bagert, Brod. 2002. Giant Children. New York: Dial Books for Young Readers.

Charest, Emily MacLachlan & Patricia MacLachlan. Once I Ate a Pie. 2006. Ill. by Katy Schneider. New York: Joanna Cotler Books.

Creech, Sharon. Love That Dog. 2001. New York: HarperCollins.

Florain, Douglas. 1994. Beast Feast. San Diego: Harcourt Brace & Company.

Foxworthy, Jeff. Dirt On My Shirt. 2008. Ill. by Steve Bjorkman. New York: HarperCollins.

Franco, Betsy. 2003. Mathematickles! Ill. by Steven Salerno. New York: Margaret K. McElderry Books

Gottfried, Maya. 2007. Good Dog. Ill. by Robert Rahway Zakanitch. New York: Alfred A. Knopf.

Grimes, Nikki. My Man Blue. 1999. New York: Dial Books for Young Readers.

Grimes, Nikki. 2007. When Gorilla Goes Walking. Ills by Shane Evans. New York: Orchard Books.

Hopkins, Lee Bennett. Yummy! Eating Through a Day. 2000. New York: Simon and Schuster Books for Young Readers.

Janeczko, Paul. A Kick In the Head: An Everyday Guide to Poetic Forms. 2005. Ill. by Chris Raschka. Cambridge, Massachusetts: Candlewick Press.

Medina, Tony. 2002. Love to Langston. Ill. by R. Gregory Christie. New York: Lee & Low Books Inc.

Mora, Pat. Yum! ¡MmMm! ¡QuĂ© Rico!: Americas’ Sproutings. 2007. Ill. by Rafael Lopez. New York: Lee & Low Books, Inc.

Nye, Naomi Shihab. 2000. Salting the Ocean: 100 Poems By Young People. New York: Greenwillow Books.

Prelutsky, Jack. 1992. Something Big Has Been Here. Ill. by James Stevenson. New York: Scholastic.

Sidman, Joyce. 2007. This is Just to Say: Poems of Apology and Forgiveness. Ill. by Pamela Zagarenski. Boston: Houghton Mifflin Company.

Woodson, Jacqueline. 2003. Locomotion. New York: G. P. Putnam’s Sons.

Friday, April 24, 2009

Poetry Book Review - A Kick In the Head


BIBLIOGRAPHY
Janeczko, Paul. A Kick In the Head: An Everyday Guide to Poetic Forms. 2005. Ill. by Chris Raschka. Cambridge, Massachusetts: Candlewick Press. ISBN 9780763606626

REVIEW
Janeczko has selected poetry of twenty-nine different forms to complete this collection. It begins with a brief introduction that describes the importance of rules in poetry in a way that younger readers can understand. It also points out the necessity in flexibility of these rules in order to let the spirit of the words prevail. Readers will be exposed to more well known forms such as the couplet, limerick, haiku, and a sonnet, as well as read poetry in unusual forms, like a senryu, pantoum, a poem of address, and many others. Each poem is accompanied by a short explanation of the poem’s form and rules to follow when writing them. The end of this collection has more detailed information about each poetry form used, including information such as its origin, rules followed in writing, and information about the poem selected for this collection.

Readers will find a lot of figurative language and more abstract poetry than in most other poetry books for children. However, there is something for everyone, as the content, mood, and tone of the poems ranges from funny, silly, and light, to peaceful or sad. Some of the meaning in these poems may be lost on younger readers, however they will remain interested in the form of each poem and how the “rules” work to make a meaningful piece of work. Each poem lends itself to teaching how to create original poetry as well as provides entertainment to readers and listeners. The abstractness of Raschka’s brightly colored artwork done in watercolor, ink, and torn paper complements each poem well. In addition to the main illustrations, smaller pictures are found in the corner of each page, representing the poetic form written on the page. This book offers readers a complete poetic experience with riddles, stories, art, and more. After reading or listening to one or all of these poems, many children will be motivated and inspired to explore poetic rules and create their own poetry with unlimited possibilities.

SELECTION #1
A Senryu - a poem similar to a Haiku, but written about human nature rather and the natural world.
By Kristine O’Connell George

First day, new school year,
backpack harbors a fossil…
Last June’s cheese sandwich


SELECTION #2
An Ode - a poem celebrating a person, animal, or object usually written without the constraint of formal structure or rhyme.
A selection from Ode To Pablo’s Tennis Shoes
By Gary Soto

He wants to be
Like his shoes.
A little dirty
From the road,
A little worn
From racing to the drinking fountain
A hundred times in one day.
It takes water
To make him go,
And his shoes to get him
There. He loves his shoes,
Cloth like a sail,
Rubber like
A lifeboat on rough sea.
Pablo is tired,
Sinking into the mattress.
His eyes sting from
Grass and long words in books.
He needs eight hours
Of sleep
To cool his shoes,
The tongues hanging
Out, exhausted.

SELECTION #3

A Found Poem - a poem containing words or phrases not intended as poetry but later arranged on the page as a poem.
The Paper Trail
By Georgia Heard

They fluttered from the sky like a sweet and peaceful snowstorm:
sheets and scraps - a crumpled page of cleaning instructions
with a reminder to damp-wipe smudges and smears;
a woman’s cell-phone bill;
a hand-written note on paper decorated with kitchen herbs read:
“… it would be ince to have another pot-luck dinner for parents”;
a blank check numbered 3746 neatly torn from a check-book.

Bits of paper floated into the open classroom windows,
drifted into a second floor apartment windown on Liberty Street.
At St. Paul’s Cathedral, in Lower Manhattan,
three inches blanketed the old graves.

** This Found poem was inspired by the September 11th tragedy; the paper described feel from the World Trade Center towers

AWARDS AND REVIEW EXCERPTS
Starred review in PUBLISHERS WEEKLY: “joyful poetry lesson, sure to be welcomed by teachers and aspiring poets everywhere.”
Starred review in BOOKLIST: “This is the introduction that will ignite enthusiasm.”
Starred review in THE HORN BOOK: “beautifully introduces the rules of poetry on a variety of literary playing fields.”

CONNECTIONS:
* After reading any of these poems, discuss the rules of the poetic form used and how the poem followed or detracted from the rules.
* Introduce new and unusual poetic forms with any of these poems and have the students write their own (focus on one, a couple, favorites, or many of the forms included in the book)

Poetry Break - Serious Issue


BIBLIOGRAPHY
Woodson, Jacqueline. 2003. Locomotion. New York: G. P. Putnam’s Sons. ISBN 9780399231155

INTRODUCTION:
This poem describes a boy’s first day in a new class where he is different from the other students. As a result, he is made fun of by the class and some of the boys gossip about him. Unfortunately, teasing and bullying happens daily in our schools. Before reading this poem, you may choose to share about a time when you were teased as a child. If you do not what to share your own story, you can tell a story about a bully you knew either as a student or from your teaching experience. If you share a recent experience, please do not include your current students or anyone that they may know. Reading this poem may be beneficial for a class that is having a problem with teasing among several or all of the students. Most students will likely relate to the words as a person who has been teased, a person who has done the teasing, or both.

New Boy (by Lonnie Collins Motion)
by Jacqueline Woodson

New boy comes in our classroom today
Ms. Marcus says
Say good morning, Clyde, and the new boy says
Good Mornin’, Y’all
and the whole class falls out laughing
so hard, Ms. Marcus taps her pointer on the desk,
her face so mad it’s purple
R-e-s-p-e-c-t, she says
Respect! we repeat the way
she taught us to - a thousand times ago.

New boy’s looking down at the floor
looks real sad, says I’m sorry ma’am
and the class tries hard not to laugh
but some laugh spills out of us anyway.
You’ve nothing to be sorry about, Ms. Marcus says.

Lamont whispers He should be sorry he’s so country
Eric says Look at his country clothes
New boy knows
they’re whispering about him,
puts one foot behind his leg
like he wants to crawl right inside himself.
He’s wearing high-water pants, light blue socks,
a white shirt
buttoned all the way up
tight around his neck
Check
Eric says
Check out his country hat
New boy’s holding the hat in his hands
Granddaddy hat in his hands the kind
With the black band going around the gray felt
New boy looking like he wish he could
Just melt right on outa the room.


EXTENSION:

Due to the nature of this poem, it is a good idea to make time for a lengthier extension activity. After reading this poem, have the students briefly write about a time that they were teased, then have them write about a time that they teased someone else (even if they thought it was just for fun). They do not need to share their writing with anyone. Once they have reflected on these situations, they will be more prepared to discuss the topic of bullying and teasing. Have the students share feelings that they felt or cause another to feel because of teasing, and record these words on the board or in a place that is visible. Now ask the students to help make a new list - one of emotions they like to feel. Have a class discussion about how they can make others feel better about themselves and experience the emotions they like, rather than those associated with teasing and bullying. Although this share time could be very cathartic, if you anticipate that the group may not handle this extension activity as a group, the students can make their lists of feelings, write about their experiences, and reflect as individuals without sharing what they think, feel, write, etc.

Poetry Break - Child Poet


BIBLIOGRAPHY
Nye, Naomi Shihab. 2000. Salting the Ocean: 100 Poems By Young People. New York: Greenwillow Books. ISBN 9780688161934

INTRODUCTION
Before reading this poem aloud, find out what your own name means. Then share this information with the class. Talk about whether you/they think that the meaning fits who are you. Provide examples of other names and their meanings. You can choose generic names for this. Or, you can use names of historical figures or popular celebrity names and have the students decide if the specific meanings fit the person with each name.

Poem: no title given
By Emmett Tenorio Melendez

My name came from my great-great-great-grandfather.
He was an Indian from the Choctaw tribe.
His name was Dark Ant.
When he went to get a job out in a city
he changed it to Emmett.
And his whole name was Emmett Perez Tenorio.
And my name means: Ant; Strong; Carry twice
its size.


EXTENSION
Have the students think about their own name. Were they named after someone? Do they know the real meaning behind their name? Have them decide what they think their name should mean based on what they think of themselves. Have them write a short poem describing this meaning. If there is time, let the students do some research on the Internet about the true meanings of their name. They can ask their parents about their namesake, too. If the students promise to be nice, they can write a “name” poem for another classmate and share it with them or the group. It could be fun for students to hear how their friends/classmates feel about them.

Friday, April 10, 2009

Poetry Book Review - New FAVORITE book


BIBLIOGRAPHY
Charest, Emily MacLachlan & Patricia MacLachlan. Once I Ate a Pie. 2006. Ill. by Katy Schneider. New York: Joanna Cotler Books. ISBN 9780060735319

REVIEW
This collection of poems is all about dogs and the loveable things they do. The poems are written from the perspective of different dogs, and each poem seems to fit the breed perfectly. The poems are written in all different forms, all unrhymed and using strategically placed and specifically emphasized words to add to the effect of each poem. The poems highlight an array of doggy behavior such as stealing food, sleeping, playing, and barking. It shares their feelings, like curiosity, loyalty, and confusion.

Readers and dog lovers of all ages will enjoy this great poetry and will identify with many of the puppies or the families each of them “talks” about. The illustrations are beautiful and accompany each poem, making them even more delightful to readers. Readers who already have a pet dog will relate to at least one of these cute animals, seeing a glimpse of their own pet’s personality, and readers without a pet will definitely find a favorite dog to call their own within the pages of this book! This book of fun poetry and charming pictures would make an excellent addition to any children’s collection.

** This being my FAVORITE poetry book, it was impossible to limit my selections to just one…. Unfortunately, blogging limitations keep me from using the same emphasis on various words as the poets use, but you still get the idea.

SELECTION #1
Mr. Beefy

By Emily MacLachlan Charest & Patricia MacLachlan

I am not thing. But I am beautiful.
When
No
One
Is
Looking, I steal tubs of butter off the table.
I take them to the basement to eat in private.
Once I ate a PIE,

SELECTION #2
Darla

By Emily MacLachlan Charest & Patricia MacLachlan

I don’t like other dogs.
I live people and I like the cat who lives with me.
When I want to go out, I bat the bell that hangs next
to the door.
The people come RUNNING.
I bet the bell many times a day.
The people are very tired.

When tey finally go to bed, I wait.
Then, when they are asleep,
I bat the bell one more time.

SELECTION #3
Abby

By Emily MacLachlan Charest & Patricia MacLachlan

I do not steal.
I borrow.
Other dogs’ bones
and stuffed animals
balls
and pull toys

My people’s slippers
and socks
sweaters
and underpants.
But my favorite things to borrow are kitchen things-
loaves of bread from the counter
meat off a plate
anything in a bowl.

I don’t have to give those things back.

SELECTION #4
Puppy

By Emily MacLachlan Charest & Patricia MacLachlan

The world is big.
Trees too tall.
Sky to HIGH.
Snow over my head
What if I get lost?

“You will chase snowflakes in winter,” the people tell me.
“Run through the grasses in spring
and howl at the full moon.”

Not now. I am a puppy.
For now I will stay here
by your side.
Safe.
Warm.
Puppy.


AWARDS AND REVIEW EXCERPTS

SCHOOL LIBRARY JOURNAL: “an entertaining visit with some very appealing canines, and a book that perhaps could serve as an inspiration in the classroom for young poets trying to describe their own pets.”
BOOKLIST: “capture the individuality of each animal, as well as the mischief and movement young dog lovers find so irresistible.”
NOTABLE/BEST BOOKS, American Library Association (2007)

CONNECTIONS
* After reading this book, students can write a poem of their own about their pet or a pet they wish they had.
* Students can write their own poem from the perspective of its subject (someone/thing other than themselves.)
* Use these poems to spark a discussion about personality traits - teaching new vocabulary that can be used in the students writing (of poems or otherwise).

Poetry Book Review - Newer Book


BIBLIOGRAPHY
Foxworthy, Jeff. Dirt On My Shirt. 2008. Ill. by Steve Bjorkman. New York: HarperCollins. ISBN 9780061208461

REVIEW
The subject matter of this random collection of poetry is very relatable to kids - what child hasn’t “lost” something only to find that they are wearing it? The poems describe events such as traveling, eating, playing, and other common activities. Many of the poems are about crazy family members, too. Each limerick is silly, written in various rhyming patterns, making them easy to follow and fun to read aloud.

Foxworthy’s comedic background is reflected in his writing. The majority of his poetry has a more concrete meaning with very little figurative language. However, the context is funny, very imaginative, and shows readers that poetry does not have to difficult to understand or find meaning in - it can be fun and even relaxing to read. Bjorkman’s cartoon-style illustrations complement each poem well, are very colorful, playful, and exude the joy found in the poetry. Each one adds to the appeal of each poem, making them even more enjoyable to children. Bjorkman adds even more to the fun by challenging readers to find certain objects in one of the illustrations. This appealing collection will certainly be the favorite of many young readers who enjoy short, silly poetry that will keep them entertained over and over. Dirt On My Shirt would be a great addition to a library collection serving younger readers.

SELECTION #1
Escape

By Jeff Foxworthy

How happy are balloons that finally get away?
Escaped from little hands
That tried to make the stay
Where do they go, I wonder?
With no map to guide them
To Heaven I would guess
Where little angels ride them

SELECTION #2
Bobo Bye-Bye

By Jeff Foxworthy

On a tire swing Bobo sat
Swinging very high
He thought he’d let go of the rope
Tell Bobo bye-bye

REVIEW EXCERPTS

HORN BOOK: “Energetic cartoon illustrations do a good job of depicting simple vignettes that enliven the poems.”
BOOKLIST: “Bjorkman (Aliens for Breakfast) punches up the text with plentiful illustrations in a cheery cartoon style.”
PUBLISHER’S WEEKLY: “collection of light verse courts both fans of the comedian and their children.”

CONNECTIONS
* Use this book to find quick poetry breaks. The poems are versatile and can be used as a quick poetry retreat for teachers running short on time, but still wanting to incorporate a frequent poetry break.
* After reading several of Foxworthy’s poems about family members, have students write silly poems about one of their family members.

Poetry Break - Refrain


BIBLIOGRAPHY
Prelutsky, Jack. 1992. Something Big Has Been Here. Ill. by James Stevenson. New York: Scholastic. ISBN 0590455095

INTRODUCTION
Before reading/performing this humorous poem, get the students interested by showing them a stuffed animal or other toy that “talks.” This will keep them intrigued until the end of the poem, since they will not see the connection until the last line. You might also explain what a refrain is - let them listen to a refrain in a familiar song.

Hello! How Are You? I Am Fine!
By Jack Prelutsky

Hello! How are you? I am fine!
is all my dog will say,
he’s probably repeated it
a thousand time today.
He doesn’t bark his normal bark,
he doesn’t even whine,
he only drones the same Hello!
How are you? I am fine!


Hello! How are you? I am fine!
his message doesn’t change,
it’s gotten quite monotonous,
and just a trifle strange.
Hello! How are you? I am fine!
it makes the neighbors stare,
they’re unaware that yesterday
he ate my talking bear.

EXTENSION
Ask the students to pick out the refrain in this poem, then reread it. Have the students join you for the refrain. Students can also conduct a “poetry hunt,” and look for other poems with repeated lines or refrains that they can perform at a later time.